About
I’m an Emmy-nominated cinematographer and filmmaker based in New York City, and a proud member of IATSE Local 600. I graduated from Temple University and began my career interning at The Colbert Report and The Daily Show at Comedy Central — two places that taught me how humor, timing, and truth can shape a story. After college, I worked for an NBC affiliate news station, but a busy freelance career quickly pulled me toward independent filmmaking, where I’ve found the freedom to explore story and image on my own terms.
In 2020, I shot the feature film Songs for a Sloth, directed by Brad Hasse and starring Rich Hollman, Ava Eisenson, Brian McCarthy, Arian Moayed, and Jack McBrayer. The film screened at festivals worldwide and deepened my love for character-driven, emotionally grounded storytelling.
Over the past decade, I’ve filmed in more than twelve countries, collaborating with global brands and institutions including Adidas, Genesis, Loro Piana, Porsche, Tom Ford, Cirque du Soleil, Wetholme, Pandora, Amazon Music, Starbucks, Memorial Sloan Kettering, IBM and JP Morgan.
I’m an Alexa 35 owner-operator with a deep love for the craft — lighting, texture, movement — but what matters most to me is collaboration and the shared pursuit of authenticity.
I’m drawn to projects that explore what it means to be human — identity, love, memory, and transformation. Whether I’m shooting a commercial in New York or a documentary halfway across the world, my goal is always the same: to make images that feel alive, honest, and deeply seen.
I live with my wife and our miniature dachshund in Jackson Heights, Queens. In my free time, I love seeing live comedy, cheering for Philadelphia sports, catching live music and theater, and — more than anything — going to the movies.
Stock Footage: FilmSupply
Press: Variety Magazine, The Atlantic
““At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are. We never accomplish this perfectly, though in return we are given something perfect—a sense of inclusion. Our subject thus redefines us, and is part of the biography by which we want to be known.”
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